Oil on glass, 28x22"; tempered glass, mahogany, aluminum.
The figure is simple, static, and beautiful—and barely tense. She is seen from the back and the slightest edge of her eyelashes show that her eyes are open. When the painting is folded from right to left to reveal the other side, she appears the exact same, only mirrored. At play here are ideas of manipulation, beauty, perception, and control.
