This work explores the relationships among the self alongside the human/technology layers. Implied interpretations are levels of consciousness, the editing of self in the digital space, and the hierarchies of humans and technology. It seeks to ask questions of motive and control. The mount holds the framed panes off the wall, allowing them to spin about a vertical axis.

This work explores the relationship between technology and humanity. The flesh is traditionally rendered, except for the areas in shadow and other voids, where the glass forms the surface of the flesh. These areas are not only affected by what’s underneath but, in certain areas, are that material. This tension spreads beyond the figure, where passages of paint struggle against the glass. The paint is a thin veil, appearing thinner with increased inspection. Moreover, viewers can see their reflection in the glass, synthesizing the audience to the dynamic.

The figure is simple, static, and beautiful—and barely tense. She is seen from the back and the slightest edge of her eyelashes show that her eyes are open. When the painting is folded from right to left to reveal the other side, she appears the exact same, only mirrored. At play here are ideas of manipulation, beauty, perception, and control.